Artist Residency

I was so honored to be accepted into the Residency Program last summer at the Art Center of Padula . Padula is a small town in the province of Salerno. During the 3 week residency, I had the opportunity to immerse myself in the region’s rich cultural heritage, stunning landscapes, and vibrant local community.

For the last couple of years I have felt very compelled to evolve in my practice. After a painting hiatus, the residency offered the chance to step outside of my usual environment and to gain a fresh perspective. I was able to work and connect with a diverse group of artists-  poets, musicians, photographers, digital and sound creators…which allowed for cross-disciplinary inspiration that I don’t usually get. I felt very cool to be included with such impressive company. It was an incredible experience to learn and be inspired by the brilliant, creative people in and around the program.

I stayed in an ancient Italian home on the hilltop with expansive terraced gardens. It was filled with old portraits and books, I found myself very curious of the past generations that once lived there. My favorite part of Casa Padula was the gorgeous artist studio that overlooked the rooftops and into the Valley. I loved the open walkout and beautiful tiled floors. It was an absolute dream to work in this space.

Although I did spend many hours painting and working, I mostly created studies and sketches. My goal was to collect experiences and to plant seeds of ideas, I tend to process better in that way. The residency put on an open house where I showcased the studies that I worked on. I would have loved to have finished large scale pieces but that wasn’t my goal for my time there. I can put my head down and work anywhere, but I wanted to have my chin up and eyes open so that I could really take everything in and be present in that beautiful place.

Since coming home I’ve been creating a body of work with a flood of inspiration from the residency. I’m still processing all the creative input and working on new paintings referencing many concepts from my experiences. There are common threads that keep popping up that have been interesting to explore- the nature of memory (individual and collective), impermanence and history… I was also very drawn to the beautiful religious symbols and iconography and keep coming back to the concept of reliquaries and sacred objects. I’ll see what comes out of all of it …much more to come on that.

I will forever be grateful for my time in Padula. The residency was the ideal opportunity to foster the growth and progression that I have been aching for. 

Grazie Mille to all that made this a wonderful experience possible


a f t e r T h o u g h t s ___________________________________________________________________________________

Language

My biggest regret is not working harder to learn Italian before I left. ((the personal shame!)) I would have been able to engage and learn so much more had I been more well versed. Not speaking the language well made me feel timid and weirdly embarrassed to try to speak the little that I know. There were many times I would have loved to engage further to understand things on a deeper level. Luckily, the people of Padula were exceedingly patient and gracious with me. It was also nice that I was often with people that spoke both English and Italian.

((side note: I love the school systems and multicultural homes that teach dual languages to their children. Wish I could have had that type of education. It seems to me that if you’re able to spark those linguistic connections in your brain during that early stage of language development it could affect your capacity to learn/understand the rest of your life…maybe? Brains are weird. That’s my thought….or my excuse.. either way ;))

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Belonging somewhere

I wonder what it must be like to live in the place of your ancestral heritage, to be immersed in the culture that has shaped generations before you. In places like Padula, it’s inspiring to see how customs are passed down through the ages, creating a sense of connection that feels like one giant family. The depth of the history is absolutely incredible. I envy it. I think people from the US can be especially curious to trace their individual origins. It feels so vital for all people to understand their history. Whether it be a personal or collective, history helps us connect to identity and humanity on a deeper and profound level. Maybe Americans are like the adopted children of the world searching for our birth parents, in the hope of understanding who we are a little bit better.

My family tree is scattered all over. Which on some level feels like belonging everywhere.. but really nowhere else at the same time. I love to try to connect to my own genealogy. My ancestry is a mixed bag, but they are unified in that they were spirited and brash enough to come to a new and untamed place, so I guess that means I belong to -the Wild West? Admittedly, I am jealous of those rooted so deeply to one place and culture, but also find beauty in being a patch on the multicultural fabric of the US. 

Spending time in Italy has been a poignant reminder of the power of culture and history in shaping who we are. It’s the echoes of the past in the present, that there is a sense of belonging somewhere. Most importantly, it’s our shared human experience and stories that connect us all. Thank you Padula for allowing me to be a tiny part of your story.

Painting the Stars… Lasso the Moon Picture Book

I have been incredibly lucky to be working with the talented and amazing Cheri Magil on my next project. Cheri is a singer/song writer and while writing for her album, composed the most beautiful song inspired by my artwork entitled Lasso the Moon. It was begging to become a picture book. Naturally, we have joined forces to bring this book to life.. I can’t wait to share more soon..

Illustration Process // Lasso the Moon

Artist//Mom

Being a mom and trying to be an artist (or anything else) is hard. It can feel like an unrelenting struggle trying to be all the things – all the time. It feels like you can never do it all. I’m working on telling myself that it’s okay to just – be. I’m proud that I have hung on tight to the things that are going to make me feel fulfilled. For me, it’s creating. I want my kids (especially my little girl) to see the incredible value in that. I’m also proud of the times that I have taken a step back and given myself the space to just be present with my family, and that’s okay too. Because there have been times that I’ve worked incredibly hard and times that I’ve had to take significant breaks. Our energy is limited and so precious. Mamas do what you need to do to feed your soul, whatever that may look like for you. Most importantly – be gentle with yourselves. You are doing enough.

There is nothing like painting in a tree house

The Art of Being Bill, The Many Faces of Awesome

I was so honored to have my painting The Sailor included in the amazing book
The Art of Being Bill.
A coffee table complication book of artist paying homage to the Legendary Mr Bill Murray

A little back story on my Sailor Bill …….

The Sailor / Bill Murray was painted using acrylic and mixed media. It was originally painted for The Mr Bill Murray, A Tribute Show at the R&R Gallery in Los Angeles in 2010. The work was also featured in a write up by the Los Angeles Times about the art show. The Sailor was one of my all time favorite pieces to create. I was influenced by the fantastic Wes Anderson style from Steve Zissou in Life Aquatic, and there are a couple nods to What About Bob as well. What resonates the most to me about Bill is his playful and endearing spirit, which is what I tried to capture in my piece The Sailor. This guy is truly near and dear to my heart. Thank you for the magic that you put out into the world Mr Bill Murray, it’s incredible how much it has inspired.

Go find this book – Its guaranteed to put a smile on your face… and if you do, give my sailor a little wink from me 😉

Wynken Blynken and Nod

Just trying to capture some of the magic of boyhood in this dreamy commissioned storms-cape.



Inspired by the classic old poem Wynken, Blynken and Nod – By Eugene Field late 1800s. I’m such a sucker for dusty old books filled with words like these that have been read to little ears for more than a hundred years.

WSU Alumni Magazine

I was so honored to have my artwork on the cover of WSU Alumni Magazine and to be chosen as the Artist Alumni in the write-up. Wow there are some very impressive alumni that were interviewed, I was in very good company. You can read my interview in the spread below. As you can see I had an amazing college experience and felt like I was really lucky to be a part of the art program at WSU. The professors are absolutely passionate and amazing. The facilities and gallery are fantastic and of course my study abroad in Venice was a life-changer. Someone tell WSUs to get a graduate program so that I can go back to school already 🙂  Also I guess my image has been around Ogden on billboards and on some campus posters also, so give me a wink if you happen to see my weird face anywhere ..